They are heavily influenced by situations and captivated by the relational. Employing queer-centric, anti-spectacular methodologies, they privilege periods of observing, thinking, feeling, learning, and unlearning as much as realising a final form, which often involves reimagining everyday encounters. Driven by concepts and seduced by the potential of uncertainty and ambiguity, their minimally presented liaisons include objects, installations, 2-dimensional works, moving images and sound, discourse, dialogue, and community building. During their time at KMD, they have been focussing on expanding their visual language, and have fallen in love with the collaborative potential of handweaving with the digital loom. They find this process to be fruitful in their exploration and communication of beauty of small, everyday moments.